捕鱼是一项辛苦的工作,而捕蓝鳍金枪鱼则让人精疲力尽,在马萨诸塞州的格洛斯特,有一群特殊的渔夫,他们世代用钓竿和鱼线捕捉行踪不定的蓝鳍金枪鱼。他们以此谋生,蓝鳍金枪鱼数量稀少、价格高昂,是日本寿司的最高级食材,因此这行竞争异常激烈。每年的捕鱼季持续近10周,这些最老练的渔夫将漂泊在北大西洋冰冷的海上寻找“海中钻石”蓝鳍金枪鱼。有人捕到过价值20000美金的大鱼。
这部由四部分组成的纪录片探讨的是酷儿群体与惊悚、恐怖类型片之间的联系。本作将通过一系列访谈,从酷儿的视角重新审视这些影片:不全是充满暴力和谋杀的叙述,而是一段会让酷儿们产生共鸣的关于幸存的历史。
死亡海岸是北大西洋一片波涛汹涌的海域,几个世纪以来,已有六千多艘船只沉没于此。许多水手勇敢地踏上这片水域——有的是为了贸易,有的是为了战争,还有的是为了掠夺。如今,沉船上的黄金和珍贵文物散落在海底,但过去十年来,这里一直禁止打捞。如今,经过长期的努力,沉船搜寻者杰夫·麦金农赢得了独家潜水权。他和他的团队只有12周的时间来搜寻沉船,否则,汹涌的死亡海岸海水将使潜水变得不可能。
在这部坦诚的纪录片剧集中,NBA传奇球星沙奎尔·奥尼尔和阿伦·艾弗森努力重振锐步的昔日辉煌,并物色一位新星来为品牌代言。
2011年,27岁的教师艾伦·格林伯格被发现死于自家公寓的厨房地板上,身上有20处刀伤和11处瘀伤。她的死因被官方裁定为自杀,但她的父母坚称她是被谋杀的,而此前裁定她自杀的病理学家最近也改变了看法。
剧情简介暂缺,敬请期待
在这个星球上,存在着无数未被我们肉眼所见的奇妙世界。现在,让我们跟随一群身高不足一英尺的小英雄们一起,踏入一个充满奇幻生物和不可思议冒险的《隐秘王国》。 从草原到沙漠,从丛林到森林,再到东京和里约热内卢的城市天际线,我们的镜头穿梭于地球最具标志性的景观之中,记录下这些迷你英雄们在各种环境中的生存故事。对他们来说,雨滴如同陨石般坠落,一阵微风就如同飓风一般猛烈。无论是机警的金花鼠、敏捷的大象鼩、活泼的狨猴、神秘的蝎尾鼠,还是庞大的犀牛甲虫,每一位主角都在这个微观世界中演绎着自己的传奇。
Follows the 2023-24 Dallas Cowboys Cheerleaders squad their auditions and training camp and finally the ending of the Cowboys season predictably ended in the NFC Wild Card Round.
Zac Efron is back on Netflix, traveling around Australia with wellness expert Darin Olien in search of healthy, sustainable ways to live.
NetFlix原创纪录片,本纪录片从布鲁斯与瑞吉的故事拍摄,他们是监狱的受刑人,在狱中为他们未曾承认犯下的谋杀罪名,度过了数年。观众将从他们的视角,窥视美国的监狱体系,导演对此并提出质疑。
The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
纪录片《寻古中国》将讲述中华文明故事,深入探寻中华文明原点标识和延续密码,艺术展现中华文明源远流长及其辉煌成就和对人类文明的巨大贡献,揭示中华文明在世界历史与当代中国的价值和意义,匠心续写中华文明时代进步。 大型系列纪录片《寻古中国》在2022年计划推出首批6个系列,分别为:《寻夏记》《河洛记》《古蜀记》《云梦记》《玉石记》《稻谷记》,各系列5集,每集30分钟。
在罗马尼亚特兰西瓦尼亚一个匈牙利语村庄里,即使到了老年,村民们的心中仍然充满着爱与欲望。时间在这里静止了,虽然村里大多数居民都上了年纪,但他们的内心却异常年轻。例如,费里是一个不可救药的浪漫主义者。他已经年过八十,但仍在向村里的 25 名寡妇示爱——尽管他声称其中只有两三个人真正值得他这么做。当这些女人对着镜头分享她们最私密的想法和梦想时,她们直言不讳。她们悲喜交加的故事证明,古老的爱情和浪漫游戏仍然在这个偏远的村庄上演,散发着昔日的气息。一位老妇人一边在卷心菜叶里卷着肉丸子,一边回忆着她的新婚之夜,当她的新郎从摇摇晃晃的床上沉下去时,新婚之夜戛然而止——一切都还没来得及发生。影片快要结束时,我们看到两个女人从山坡上侧身滚下来,圆润的胸部稍稍阻碍了她们的步伐。她们又年轻了。